LABORATORIO MOARQUECH

Bienvenidos al Laboratorio Interdisciplinario diseñado por
Welcome to the Interdisciplinary Laboratory designed by

Raúl Moarquech Ferrera-Balanquet,
PhD, Romance Studies, Duke University, 2016.
MA, Romance Studies, Duke University, 2013.
MFA, Intermedia Arts and Art History, University of Iowa, 1992.
BGS, Communication and Film Studies, University of Iowa, 1987.

Here you will find curriculum vitae, publications, statements of teaching, works by students, and sample syllabies from courses that I have taught at colleges, universities, and art schools in the United States, Mexico, Colombia, Dominican Republic, Ecuador, and Cuba.

Aquí encontrará la hoja de vida, acceso a publicaciones, declaraciones sobre mi practica pedagógica, trabajo de estudiantes y progma de clases que he impartido en colegios, universidades y escuelas de arte en Estados Unidos, México, Colombia, República Dominicana, Ecuador y Cuba.

Pedagogías Creativas Insurgentes. Pedagogías decoloniales. Prácticas insurgentes de resistir, (re)existir y (re)vivir, Tomo II, Catherine Walsh (ed.), Quito: Ediciones Abya-Yala, Ecuador.

Guest professor, Raul Ferrera Balanquet at ISA, Havana, Cuba
Connecting La Habana had the opportunity and the pleasure to invite as participant artist and guest professor Raul Ferrera Balanquet, Cuban independent film maker, video artist, and writer based in Mexico.

Teaching Multiple Difference in a Video Production Class, Radical Teacher, Vol. 45, 1994

Raul Moarquech Ferrera-Balanquet to be the Winter, 2014 Artist-in-Residence, Vermont College of Fine Arts, MFA in Visual Art, Montpelier, Vermont USA

Para cualquier información adicional contactar al email:
moarquechraul@gmail.com / raulmoarquech@gmail.com
For futher information you can contact:

moarquechraul@gmail.com / raulmoarquech@gmail.com

Biography / Biografía
Havana, Cuba, 1958.
Interdisciplinary artist, writer, curator and Fulbright scholar.
Member of The Mariel Generation and the Centro Yucateco de Escritores A.C.

Ferrera-Balanquet has exhibited his artworks and published his critical and literary investigations in Australia, Mexico, Italy, Canada, United States, Colombia, Germany, Argentina, Cuba, Spain, Chile, Ecuador, Romania, Turkey, England, Brazil, Venezuela, Holland, Switzerland, Dominican Republic and Puerto Rico.

He has exhibited at Haceres Decoloniales, Galeria ASAB, Bogota, Colombia; BE.BOP 2013, Ballhaus Naunynstraße, Berlin, Germany; the Nasher Museum, Duke University, Durham, North Carolina; Museum of Latin American Art, Long Beach, California; Zentral Bibliothek in Zurich, Switzerland; Fundacion de Arte Contemporaneo, Montevideo, Uruguay; 33ro Festival Internacional Cervantino, Leon, Mexico; Exit Art Gallery, New York City; Alchemy Projects, MAAP Festival, Australia; The Light Factory, Charlotte, North Caroline; Whitney Museum of American Art, New York; Los Angeles, California; Museo de Arte Actual, Bogota, Colombia; Museum of Contemporary Art, Chicago; Centro de Cultura Contemporanea, Barcelona, Spain among others.

His writings have appeared in Andar Erotico Decolonial, Ediciones del Signo, Buenos Aires, Argentina; Caribbean InTransit, No 4, Virginia, USA; Social Text Journal / Periscope, New York, USA; IDEA arts + society, #39, 2011, Cluj, Romania; Artecubano, Vol.3-4, Havana, Cuba; SalonKritik, Madrid, Spain; Bienal de La Habana Para leer, Universitat De Valancia, Spain; Public No. 41, Toronto, Canada; Escaner Cultural, Santiago de Chile, Chile. Inter, Art Actuael, No 102, Québec, Canada; Integración y Resistencia en la Era Global, Evento Teórico Décima Bienal de La Habana, Centro de Arte Contemporáneo Wifredo Lam, La Habana, Cuba; Worlds and Knowledges Otherwise, Volume 3, Dossier 1, Center for Global Studies and the Humanities, Duke University; Vídeo en Latinoamerica, Una visión crítica, Editorial Brumaria, Madrid; Tierra Adentro, México DF; Forum Idea, 9na Bienal de La Habana 2006; Circus Reader, Melbourne, Australia; Felix: A Journal of Media Arts and Communication, New York; Artpapers, Atlanta.

Executive curator of Arte Nuevo InteractivA, Ferrera-Balanquet has organized numerous art, video and new media exhibitions. In addition to a Fulbright Fellowship, Ferrera-Balanquet has been awarded grants from FONCA, The Prince Claus Foundation, FOECAY, US/Mexico Cultural Fund, The Australian Network of Art and Technology, the National Endowment for the Arts and The Lyn Blumenthal Video Foundation.
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La Habana, Cuba, 1958. Interdisciplinario, escritor, académico Fulbright y Curador Ejecutivo de la bienal Arte Nuevo InteractivA.
Miembro de la Generación Mariel y del Centro Yucateco de Escritores A.C.

Ha expuesto su obra plástica y publicado sus investigaciones críticas y literarias en Colombia, Alemania, Argentina, Cuba, España, Chile, Ecuador, Australia, México, Italia, Rumania, Turquía, Inglaterra, Brasil, Canadá, Estados Unidos, Venezuela, Holanda, Suiza, República Dominicana y Puerto Rico.

Su obra plástica ha sido incluida en Haceres Decoloniales, Galeria ASAB, Bogotá, Colombia; BE.BOP 2013, Ballhaus Naunynstraße, Berlín, Alemania; DysTorpia Media Project, Museo de Arte Queen, Nueva York; Galería La Cúpula, Córdoba, Argentina; Decolonial Aesthetics, Museo Nasher, Durham, Carolina del Norte; Unbroken Ties: Dialogues in Cuban Art, Museo de Arte Latinoamericano, Long Beach, California; 05982:01, Fundación de Arte Contemporáneo, Montevideo, Uruguay; 33ro Festival Internacional Cervantino, León, México; Cuba: La Isla Posible, Centro de Cultura Contemporánea de Barcelona, España; Selected Body Parts: A Physical Examination, LACE, Los Ángeles, California; The Gulf Crisis TV Project, 1993 Bienal del Museo de Arte Americano Whitney, Nueva York.

Ha publicado en Andar Erotico Decolonial, Ediciones del Signo, Buenos Aires, Argentina; Caribbean InTransit, No 4, Virginia, EEUU; Social Text Journal / Periscope, Nueva York, EEUU; IDEA arts + society, #39, 2011, Cluj, Rumania; Artecubano, Vol.3-4, La Habana, Cuba; SalonKritik, Madrid, España; Public No. 41, Toronto, Canadá; Escaner Cultural, Santiago de Chile; Inter, Art Actuael, No 102, Québec, Canada; Bienal de La Habana para leer, Universitat de València, España; Integración y Resistencia en la Era Global, Evento Teórico Décima Bienal de La Habana, Centro de Arte Contemporáneo Wilfredo Lam, La Habana, Cuba; Vídeo en Latinoamérica. Una visión crítica, Editorial Brumaria, Madrid; La Hija Natural de J.T.G., Montevideo, Uruguay; Felix: A Journal of Media Arts and Communication, Nueva York, EEUU.

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